Neruda trifft Tango, 23 April 2017

 

Die gebürtige Argentinierin Julieta Frias war die Botin der Lyrischen Werke von Horacio Ferrer.

Ihre dunkle, schwere und tiefe Stimme sprühte Piazzolas Tangoklänge wie die Gischt des Ozeans ins Publikum.

Sie machte die Ströme der Flüchtlinge und Auswanderer spürbar, Heimweh, Sehnsucht und Liebe erfüllten die großartigen Melodien.

Von Ursula Quast

 

"Julieta Anahi Frias made a melting mezzo Maria..." "The Independent" by Roderic Dunnett.

 

"Julieta Anahi Frias is radiant as Maria..." "The Sunday Times" by Clifford Bishop.

 

"Julieta Anahi Frias gave a statuesque and passionate portrayal of Maria..." "The Daily Telegraph" by Ivan Hewett.

 

"...Julieta Anahi Frias as Maria is a performer with an instant effect on the male libido..." "The Bath Chronicle" by Peter Lloyd Williams.

 

" And the dancing, particularly from Julieta Anahi Frias in the title role, is properly slick and sexy..." "The Times" by Richard Morrison.

 

"An admirable cast of nine led by Julieta Anahi Frias...exploits the strutting swooning, thrusting gestures of the tango to maximum effect." "Evenings Standard" by Barry Millington.

 

"Julieta Anahi Frias is a sexy, fierce but vulnerable Maria..." "The Sunday Telegraph" by Peter Reed.

 

"Buenos Aires born Julieta Anahi Frias (Maria) dances with the kind of hormonal charge that schoolboys dream of and grown men flee from as to omnivorous." "Music and Vision" by David Wilkins.

 

"Maria en la figura esbelta y voz de terciopelo de Julieta Anahi Frias.....fue una brisa de aire fresco...como bailarina es excelente y muy experta..." "Operaayre" by Eduardo Benarroch.